This study is what analyzes a tendency of research performance related to the existing gochwi(鼓吹, percussion and wind band of the organization) and what discusses an issue on the origin and the rise of gochwi through a diachronic reconsideration of ancient gochwi focusing on the relevant story of literature data. As a result, the trend of the existing research performance related to gochwi was placed too much emphasis mainly on the Joseon(朝鮮) period in the aspect of music historiography. In terms of a research on ancient gochwi, there is just a research of archaeological music focusing on goguryeo(高句麗) tomb murals. But a research through the written sources is insufficient. Making an argument over the origin and the rise of ancient gochwi through examining literature materials, the origin of ancient gochwi(may be claimed the theory on the influx of gochwi in Han(漢) Dynasty from the record that the Han Dynasty in the 2nd century(after the year of B.C. 108) granted gochwi master to Goguryeo and Buyeo(夫餘). However, the origin of gochwi(鼓吹) can be tried to be gone back to the ancient era given extending its category to a harvest ritual like ‘Yeonggo(迎鼓)’ in Buyeo of being conveyed to earlier times, and even to goak(鼓樂, drum of music) and chwiak(吹樂, wind of music) such as ‘Jamyeonggo(自鳴鼓) tale’ in Goguryeo, through the record that Baekje(百濟) held a harvest ceremony(祭天儀式) as gochwi in the 3rd century(year of 238). Accordingly, the origin and the rise of gochwi in Korean music history were discussed about being necessarily reconsidered from the introduction of goak and chwiak, which were used in the harvest ritual of the ancient era rather than being explained as gochwi(鼓吹), which was flowed in during Han Dynasty, or as ‘dansoyoga(短簫鐃歌),’ which is its kind.